La Biennale di Venezia(@la_Biennale) 's Twitter Profile Photo

: “My first participation at the was in 2003: a turning point in my career. It’s wonderful to be at the 2024. My monumental paintings in the are based on a research on textiles and embroidery styles, whose elements,

#BeatrizMilhazes: “My first participation at the #BiennaleArte was in 2003: a turning point in my career. It’s wonderful to be at the #BiennaleArte2024. My monumental paintings in the #AppliedArtsPavilion are based on a research on textiles and embroidery styles, whose elements,
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La Biennale di Venezia(@la_Biennale) 's Twitter Profile Photo

The opens today: a collaboration between and the V&A, this year’s Special Project, curated by , features several paintings and collages by Brazilian artist , “known for her work that

#BiennaleArte2024 The #AppliedArtsPavilion opens today: a collaboration between #LaBiennaleDiVenezia and the @V_and_A, this year’s Special Project, curated by #AdrianoPedrosa, features several paintings and collages by Brazilian artist #BeatrizMilhazes, “known for her work that
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La Biennale di Venezia(@la_Biennale) 's Twitter Profile Photo

Tristram Hunt (@V_and_A): “This is our eighth collaboration with . This year’s is curated by , who chose the artist . She was inspired by 12 fabrics from our museum to create new patterns

#BiennaleArte2024 @TristramHuntVA (@V_and_A): “This is our eighth collaboration with #LaBiennaleDiVenezia. This year’s #AppliedArtsPavilion is curated by #AdrianoPedrosa, who chose the artist #BeatrizMilhazes. She was inspired by 12 fabrics from our museum to create new patterns
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La Biennale di Venezia(@la_Biennale) 's Twitter Profile Photo

The opens today: organized thanks to the collaboration between and V&A, TROPICAL MODERNISM: ARCHITECTURE AND POWER IN WEST AFRICA critically reflects on the imperial history of Tropical Modernism.

#BiennaleArchitettura2023 The #AppliedArtsPavilion opens today: organized thanks to the collaboration between #LaBiennaleDiVenezia and @V_and_A, TROPICAL MODERNISM: ARCHITECTURE AND POWER IN WEST AFRICA critically reflects on the imperial history of Tropical Modernism.
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La Biennale di Venezia(@la_Biennale) 's Twitter Profile Photo

Tristram Hunt (@V_and_A): “We are delighted to be present at the . We have the responsibility to shed light on culture’s significance. In 👁’s film, the tiger is a symbol that helps us reflect on how to reshape the world.”

#AppliedArtsPavilion @TristramHuntVA (@V_and_A): “We are delighted to be present at the #BiennaleArte2022. We have the responsibility to shed light on culture’s significance. In @SophiaAlMaria’s film, the tiger is a symbol that helps us reflect on how to reshape the world.”
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La Biennale di Venezia(@la_Biennale) 's Twitter Profile Photo

: “This is our seventh collaboration with V&A. In the we see architecture as a lesson: we ask what is the role and meaning of architecture in our time and how it can find concrete solutions for people’s lives.'

#BiennaleArchitettura2023 #RobertoCicutto: “This is our seventh collaboration with @V_and_A. In the #AppliedArtsPavilion we see architecture as a lesson: we ask what is the role and meaning of architecture in our time and how it can find concrete solutions for people’s lives.'
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La Biennale di Venezia(@la_Biennale) 's Twitter Profile Photo

Cecilia Alemani: “ is about metamorphosis, transformation. What I love about this wonderful collaboration with the V&A is that 👁 was able to reflect on the museum’s collection.”

#BiennaleArte2022 #AppliedArtsPavilion @ceciliaalemani: “#TheMilkOfDreams is about metamorphosis, transformation. What I love about this wonderful collaboration with the @V_and_A is that @SophiaAlMaria was able to reflect on the museum’s collection.”
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La Biennale di Venezia(@la_Biennale) 's Twitter Profile Photo

: “Here we are: it has been a long journey. This year’s is curated by Cecilia Alemani and displays 👁’s ‘Tiger Strike Red’. It’s always a pleasure to present this Special Project organised with the V&A.”

#BiennaleArte2022 #RobertoCicutto: “Here we are: it has been a long journey. This year’s #AppliedArtsPavilion is curated by @ceciliaalemani and displays @SophiaAlMaria’s ‘Tiger Strike Red’. It’s always a pleasure to present this Special Project organised with the @V_and_A.”
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La Biennale di Venezia(@la_Biennale) 's Twitter Profile Photo

Tristram Hunt (@V_and_A): “Created by Nana Biamah-Ofosu and Bushra Mohamed, TROPICAL MODERNISM: ARCHITECTURE AND POWER IN WEST AFRICA critically reflects on architecture as a vehicle of colonial power and a form of political freedom.”

#BiennaleArchitettura2023 #AppliedArtsPavilion @TristramHuntVA (@V_and_A): “Created by @BiamahOfosu and @Bushra_m22, TROPICAL MODERNISM: ARCHITECTURE AND POWER IN WEST AFRICA critically reflects on architecture as a vehicle of colonial power and a form of political freedom.”
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Juan Carlos Calanchini González Cos(@calanchini_gc) 's Twitter Profile Photo

Yesterday, the was presented by curator Lesley Lokko and President . The exhibition will take place from May 20 to Nov 26 in Venice and includes 63 national participations, the , and the programme.

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